Figurine: Vampire Church

Welcome, gentle reader!  Warning - this is a long post on miniatures, with nary a music review to be found.  Music reviews will return soon, however.

In the meantime, at long last I've finished another major project on the figurine front.  This particular item is a diorama both Sheila and I have been working on (in fits and starts) for over two years.  It started with an idea I had of an old, abandoned church that had become a vampire lair.  I bought the initial pieces, but then kept working on other figures instead.

After a while, Sheila asked if she could start doing the diorama, since I wouldn't get on top of it.  I said that would be great, and after we agreed on the general concept, she put together the church and painted it up beautifully.  Then her interest began to wane, and the project sat fallow for a while, until I took it on and finished the grounds and interior.

So two years later, here it is - a collaborative effort with my favourite person! (note - click on photos for larger images):

Note the vampire knight at the left - his other scenes in this post got cut.  I am expecting a call from his agent.

The whole thing is about 18 inches deep by about 30 inches wide.  Any diorama should have a good back story about what is going on, and this one does - but before we get to that, let's zoom in a little on the front end and admire Sheila's stained glass windows.  The church is full of these, and they are Sheila finding great images of stained glass and then shrinking them to the right size, printing them, and fitting them into the church windows.  On the lower right, you can even see where she's simulated one being smashed by a fallen tree.

As you can see, there is some action in front of the church - what's that about?  Let's zoom in and take a look at the interior (with the help of a flash - it's dark in a vampire lair):

They don't like what the vampires have done with the place.

The story goes that years ago an imprisoned vampire was freed when his coffin was thrust up through the floor of the church (I have another cooler coffin for this purpose, but haven't painted it yet).  The clergy were driven out, and vampires took the place over.  For years, this nest of vampires has been preying on the local villagers, who have learned to shun the church as a place of evil.

Now, with the help of some vampire hunters, protected by a holy order of battle nuns (these folks are on the left), the locals have decided to attack the church and drive out the vampire menace.  Or perhaps just rescue that victim in the back right.

Outside, local villagers who've joined in desperately try to hold the door against vampire reinforcements (including a fetching lass that looks fairly relaxed up on the hilltop to the left).  We'll see more of these over-matched villagers in a minute, but I like this shot, which shows some of my work building trees and scenery, and if you look carefully, you can see the lead vampire hunter through the open door, raising his cross!

Below, behind a collapsed column, a local townsfolk holds off a vampire wizard.  She looks like more than a match for him, although going into battle with a yellow moon standard and a goblet is a bit flaky, and doesn't speak well of her judgment.

On the back left  you can see a holy warrior doing battle with the vampire's champion, who is desperately trying to get into the church and lend aid to his king and queen.

I will crush you with my evil sorcery, you balding do-gooder, but first - a toast!

Further down the path to the church, another townsman holds off a vampire knight with his lamp and crudely fashioned mace.  I don't like his chances.  In behind, a lunging vampire leaps from the hill at a determined looking (but older) villager with a two handed sword.  I imagine the last thoughts in the villager's mind will be "he's coming right at me!"

As the battle rages, in the shadows the church evil continues to claim its victims.  Will our heroes win the day, and if they do, will they notice this poor lass before she expires?  Who knows?  This action will be forever left unresolved.

So much for this diorama's PG rating.

And now, since this took two frickin' years to finish, here's a few shots for those who like to look at 'making of' features on their blu-rays.

As I noted prior, Sheila got the ball rolling by assembling and painting the church itself.  Here she is hard at work.  It was very large and unwieldy and at times she just took the whole thing into her lap:

The next step were finishing touches, including the brass on the door, and the stained glass windows I mentioned earlier.  These really make the finished product look great - this church wouldn't be nearly as cool without all the work Sheila put into those.  Also in this shot, Inigo peers up nervously at our work, no doubt wondering 'will there be vampires?'  Damn, I miss you, Inigo.

"Actually, I was wondering if there would be tuna" - Inigo

Then Sheila glued down some basic 'train set' grass as a base to build up from.  She also 'laid' the interior floor, but more on that in a second:

Above:  another sad example of how vampire vandalism is damaging heritage properties.

Around this time, Sheila lost interest and I took over.  She had started to build some model trees, but they are finicky and time consuming.  Here's how they start:

That unpainted miniature with the blue cloak looks exactly like that today.

And here's me doing my magic and finishing them off, one tiny branch at a time.  I'm getting some 'help' here from Vizzini, who is not nearly the well-behaved lap cat for modeling that Inigo was but is still very cute, I suppose:

May I  wreck it now? - Vizzini

And here are the trees complete, and glued to the base.  I really enjoy building these trees.  I'm kind of like that guy in the Tolkien short story "Leaf by Niggle" who loves painting leaves.  I find building trees very meditative and restful.  You can't over-think or under-think the placement of each piece of foliage.  The best I can describe it is that you have to think organically, but try not be aware of doing that.

Originally the 'hill' was made out of a cat food tin, but I switched that out for some modelling Styrofoam.

I though that hiding all the seams and staples holding the grass down would be difficult, but it was actually easier than I expected.  The key is to hide the seams, but not let what you're hiding them with look straight and uniform.  Nature doesn't do that.

A big assist on this front are bushes.  I put a lot growing up against the building, since bushes do that.

Sheila had initially copied a picture of marble over and over again and created realistic 'tile' paper that she glued down on the inside of the church.  To add to this, I built a mound of earth in the middle of the floor with some simulated broken tiles where we could later add a coffin.  Sheila suggested I also put some rubble and rocks around the edge of the interior to make it look more run-down, which was a good idea.  Here it is just before it gets figures added to it.

So that's how you do it, folks!  I'm looking forward to a less ambitious project for my next miniature.  It will be a female elf paladin.  Maybe she can help out the assault on the vampire church, because I think the villagers and battle nuns are a bit out-numbered.

Figurine: Ghost And Gravestones

I haven't posted a new figurine in over six weeks (this is what happens once football season starts), but yesterday being a holiday I was able to get some painting time in.

My last figure was a ghost knight, begging the question, "what happens when someone dies and they aren't a knight?" Well my friends, then you just get a ghost of the ordinary variety. Here he is:
For some reason, this figure was sold with three little gravestones as well. I presume that is what passes for 'value added' in undead commerce. Here's a closer look at just the ghost:
I tried to slowly lighten the colour at the edges of the figure to give it the illusion of being insubstantial, and fading into the surrounding mist.

Maybe this ghost would rest if someone would just put his skull back in his grave. Having it sit out naked like that is just embarassing.

Here he is from the back:
And of course, no scary ghost photo gallery would be complete without the obligatory "He's coming right at me!" pose.
Happy early Halloween!

Figurine: Ghost Knight

In addition to finishing another CD review, I also finished painting another figure this afternoon - the much promised ghost knight.

I know what you're wondering - 'Is he a knight that has become a ghost, or is he a ghost that somewhere after entering a state of undeath got knighted. Whichever it is, here he is:
I imagine he was some long forgotten tyrant who died on a battlefield and now returns to haunt the living because he can't accept his own defeat (I like a good back story - it keeps me young).

This is one of those figures that is very easy to paint (the only real colours on it are purple and black) and easy to make look good. The movement is all there, and it just takes some patience and highlighting to bring it out. Here he is from the back:

And here is an oblique view, where you can see his helmet detail a bit better. Wait a minute...is he starting to turn this way?

Oh my God - he's coming right at me!

This "he's coming right at me!' moment has been brought to you by A Creative Maelstrom. I hope that combined with the Black Mountain album cover below you have not found today's blog postings too frightening.

Figurines: Lame Bird and Lunging Vampire

It has been a while since I posted any painted miniatures. This is for two reasons.

First, it is football season, which tends to cut an entire day out of possible painting time, so it is a lot more slow going.

Second, I had recently painted a bird figure, but it was a disaster. I was going for a Prairie Falcon (I love doing North American birds of prey). This is what it was supposed to look like:


Unfortunately, it came out like this:

I'm sorry, what was that? Picture too small to see how well I did? What a terrible Blogger "accident".

Instead of looking at that, let's look at my recently finished "Lunging Vampire" which I think turned out a whole lot better:

I love this figure because he is charging at his foe, and he has a great facial expression. He was fun to paint and surprisingly easy.

Here is from a side view. I tried to do his two swords very differently - getting an old school metal look on his falchion and a weird alien-metal kind of feel for his strangely-shaped broadsword by starting with an undercoat of metallic blue.


I did a good job on his face, I think. Here is the "he's coming right at me!" pose.

Remember, kids. If you are out hunting vampires without tags or out of season, always yell "he's coming right at me!" before firing your crossbow.

Of course, this guy is wearing full plate mail and looks like he knows how to handle both his swords pretty well, so you're probably dead at this point. Die, poacher!

The Lich Lord

After being hung up for some time, I finally was able to finish painting something other than the walls of our condo this last weekend. Here is my latest - he is a lich lord:

I think I did pretty well on this guy, but he was harder than I expected. Getting the bandages right was difficult - even after I tried to steal some of Sheila's better techniques.

I like the way his sword turned out. I imagine it as some kind of ancient artifact, crafted from the bones of a demon - or something equally creepy. Here he is from behind - check out the crazy-assed skull and bones of some creature he has mounted to his back.

How does that thing stay on his back, you ask? Foul magicks, my friend. The kind so foul, you need a 'k' to spell them correctly.

As always, I like a back story to what I paint. In this guy's case, I imagine he was an ancient bronze age king (note the bronze armour) who has only recently risen from the grave.

He finds a medieval world that is unfamiliar to him. Naturally, he immediately decides to recreate this new world into the savage one he first ruled over in the early mists of time.

Something like that.