Showing posts with label Journey. Show all posts
Showing posts with label Journey. Show all posts

Saturday, December 21, 2019

CD Odyssey Disc 1327: Soundtrack


The weekend is here, and Christmas is just around the corner! Let’s celebrate with a music review, shall we?

Disc 1327 is… The Heavy Metal Soundtrack
Artist: Various artists

Year of Release: 1981

What’s up with the Cover? That, my friends, is a Tarakian. No, not the giant lizard with wings, the woman. What is a Tarakian you ask? Basically, she’s part of an ancient race of warrior women who guard the universe from evil green balls of hate. Kind of a cross between Wonder Woman and Red Sonja.

How I Came to Know It: The movie “Heavy Metal” came out in 1981. It was rated R and I was only 10 or 11. More importantly back then the theatres actually enforced R ratings and you needed an adult with you to get in.

Fortunately, my brother was 18 and therefore passed for an adult. In a classic awesome big brother moment he got me in, and I watched my first R rated movie in the theatre. It was awesome.

My brother also owned the soundtrack to the movie, which I remember was a double album that folded out majestically and where the Tarakian was many times the size of the puny cover photo you see above. A Tarakian that size leaves an impression on a young boy, I can tell you.

Knowing the album as a kid, I still managed to resist it for many years as an adult. Then I finally broke down about two years ago and bought a used copy on the cheap.

How It Stacks Up:  I have 34 soundtracks, which I admit is a lot, but who doesn’t like a soundtrack? It’s a “best of” record thematically constructed around a movie plot. I expect the percentage of soundtracks in my collection is far lower than the average.

Anyway, I’ve got 34 of them and “Heavy Metal” is not one of the better ones. I’ll rank it…24th. I’d give you an updated list, but I’ve still got one more to review.

Ratings: 2 stars

Warm and fuzzy childhood memories aside let’s get real; “Heavy Metal” is an average record at best. It is a mix of songs I already owned but am always glad to hear again, songs I simply had to have, and songs that range from boring to atrocious. It is a grab bag of cheap jewelry at a vintage fair, worth buying for the one or two pieces you really want, and as for the rest – that’s what the ‘skip’ function is for.

On the CD Odyssey there is no skip function – a full listen, monkey! With this in mind I have divided the album into the three categories alluded to above. Note that I will not be commenting on all songs, so consider the partial lists below a sort of musical synecdoche.

Category 1: Good Songs I Already Had

Blue Oyster Cult’s “Veteran of the Psychic Wars”: One of my favourite songs growing up as a kid, and a favourite still. VotPW is off the classic 1981 album “Fire Of Unknown Origin” (reviewed back at Disc 751). Of course, it is the WRONG song to anthologize from an album that had a song titled “Heavy Metal: Black and Silver” and another – “Vengeance (The Pact)” – which literally tells the story of the Tarakian in the film (which admittedly would have made it only suitable for the end credits, but still). “Veteran of the Psychic Wars” is co-written by fantasy author Michael Moorcock and is about an entirely different fictional character, Elric of Melnibone. But whatever, it is a killer song.

Black Sabbath’s “The Mob Rules”: Off of the album of the same name (reviewed back at Disc 157), this song is a killer metal track from the underrated second Sabbath record with Ronnie James Dio on lead vocals.

Honourable mention: Journey’s “Open Arms” (original album reviewed at Disc 212). The circumstances of this song’s appearance in the film is one of the reasons it was rated R. I think it was a sex scene between a cabbie and a damsel in distress, but I can’t be sure because Youtube wants me to log in to confirm my age to check, and I won’t do it. I feel like my brother already vouched for me back in 1981.

Category 2: Songs I Had to Have

Sammy Hagar’s “Heavy Metal”: Balls-out rock and roll, without necessitating a full album full of music by Sammy Hagar. Hagar has drenched this song in a laundry list of whatever he thought was cool back in 1981. The list includes “head bangers in leather”, “sparks fly in the middle of the night”, and “tight pants and lipstick”. It sounds ridiculous but take my word for it; it all comes together. Don Felder also has a song on the album called “Heavy Metal” which is pretty cool, but there is nothing that competes with the phallic fury of the Hagar offering.

Riggs’ “Radar Rider”: A killer track with a surging energy built for driving a car fast down a lonely highway. Or in the case of the film, for an astronaut to drive his 1960 corvette convertible in space. The song would be brilliant all on its own, but I won’t lie – the intergalactic corvette helped.

Grand Funk Railroad’s “Queen Bee”: The song is a classic early eighties anthem, full of majesty and vaguely creepy attempts at romance (“I’m gonna steal you from your hive/steal you away from every man alive…”. The song has a slow building bombast that seems so natural you forgive it all its excess. The film version has neither bees nor (thankfully) abductions but it does feature a naked Tarakian going for a swim that was no doubt a second reason I needed adult accompaniment to see the movie.

Honourable mention to Devo’s brilliant cover of Lee Dorsey’s “Working in a Coal Mine”. Like their cover of the Stones’ “Satisfaction” Devo takes a great song and makes it better.

Category 3 Dear God, No…:

Donald Fagan’s “True Companion”: Here Fagan is without his erstwhile companion Walter Becker (they were on a break) but just like a united Steely Dan, this song gargles balls, combining the worst that prog noodling and Holiday Inn jazz lounges has to offer. Dicken’s Fagin merely corrupts the morals of young children; Steely Dan’s Fagan makes them listen to his music. I remain scarred.

Riggs’ “Heartbeat”: That’s right, dear reader, not all Riggs’ offerings on the “Heavy Metal” soundtrack are revelations in driving ecstasy. This one is all plodding guitars and over-production with no substance. It feels like a Soulless Record Exec’s attempt to manufacture “the sounds the kids are really into these days.” Not even a joy-riding spaceman could have saved this one.

For good and for ill, this album represents the most bombastic ridiculousness that hard rock had to offer in 1981. I always put Heavy Metal on thinking it will be better than I remember it, but it never is. However, it is still fun enough in places to earn a place on the hallowed shelves of my collection.

Best tracks: Heavy Metal – Sammy Hagar, Devo – Working in a Coal Mine, Blue Oyster Cult – Veteran of the Psychic Wars, Don Felder – Heavy Metal (Takin’ A Ride), Riggs – Radar Rider, Grand Funk Railroad – Queen Bee, Black Sabbath – the Mob Rules

Saturday, November 27, 2010

CD Odyssey Disc 212: Journey

Victoria has just emerged from an early and unexpected snowstorm. Of course, the Odyssey reports on music, not the weather, but I mention it because it has kept my very manly Miata trapped in port, so to speak.

Today I was finally able to get out - having no one to have lunch with I had lunch with myself at the Blue Fox. I got some reading time in on my new book (see sidebar) and the short drive there and back was sufficient to get through the album that's been languishing in the car since Monday.

Disc 212 is...Escape
Artist: Journey

Year of Release: 1981

What’s Up With The Cover?: A science fiction scene - a spaceship modeled after a scarab beetle bursts out of some kind of interstellar snow globe. This cover is OK, but it is far too prog for the power pop that it heralds.

How I Came To Know It: If you're my age or older, you know this album. Journey was huge in the early eighties, and this album is the biggest of them all. They sold out stadiums all over the world, and if you haven't heard "Open Arms" or "Don't Stop Believin'" then you are either deaf or were raised by wolves.

How It Stacks Up: I only have this one Journey album, and it is likely to stay that way, so I guess that means I like it the best - at least from a position of ignorance of their other offerings.

Rating: 3 stars.

As I noted in the "How I Came To Know It" section, Journey is an early eighties megaband, and "Escape" is their definitive album.

I've tagged it under the 'rock' genre, but they are really power pop. I think there is sufficient power in the pop that they are more on the rock side, however. They are a mix of power-chord guitars, synthesizers and piano for ambience, and Steve Perry's signature vocals. Journey do not do anything particularly innovative, and their main legacy to the music world is that they were popular - and yes that is damning with faint praise.

That said, they play their ordinary songs with all the gusto they can muster, and they take themselves so seriously, they force you to either do the same - or if you can't bring yourself to do that - then you admire the schmaltz of it all. Either way it is entertaining stuff.

Most of the songs are fairly forgettable, but the two biggest hits on this album are justifiably still going strong - even if it is only on AM radio and at hockey arenas.

"Don't Stop Believin'" is always played at Detroit Red Wings home games, and when the line, "just a small town boy/born and raised in south Detroit" comes on, the entire crowd of 18,000+ sing along in full throat. It is a pretty cool hockey tradition, second only to Canucks fans singing a verse of O Canada a capella at every home game.

The Detroit Red Wings music guy does inspired work - he also always plays Alice Cooper's "No More Mr. Nice Guy" immediately following a goal from the visiting team. Listen for it next time you're watching a game.

Anyway, back to Journey, and "Don't Stop Believin'" which I contend is a five star song, whatever your opinion of stadium rock might be. From the opening bars played on piano, to Steve Perry belting out lyrics about young people finding their way (and each other) in the wide world, to the chorus exhorting listeners to hold onto our dreams, this song rocks.

The other hit, "Open Arms" is an early power ballad, which I mostly remember as being a primo slowdance song at high school dances. I have many pleasant memories of dancing to this song with the girl of my choice (or failing that, the first girl who was willing). This song reminds me of all the times I've walked along the front of the bleachers, trying to calculate just how far up the beauty chain I could reach and still get a yes to my invitation to dance.

The experience was nerve wracking, but well worth the chance of holding a real live girl close to you for three and a half minutes. Thank you, Journey, for all the girls who came to me with Open Arms.

I have the remastered version of "Escape" which follows the unfortunate trend of adding a bunch of bonus tracks. In this case, we get a B-Side ("La Raza Del Sol") which is forgettable and three live tracks from a 1981 concert in Houston. I wish bands would just put out a live album, and stop putting mediocre live tracks on their remastered studio albums.

In closing, if you like top forty pop - or simply haven't bought any new music since junior high, "Escape" probably ranks significantly higher than I've scored it, but my musical tastes have never been high on Journey. I'll tip my hat respectfully to them, but hold my applause to a measured three stars.

Best tracks: Don't Stop Believin', Stone In Love, and Open Arms - but only for the purposes of scoring a slow dance with a pretty girl.