On July 1, 2009 the CD Odyssey
officially began with my first review. It was Judas Priest’s “Screaming for
Vengeance.” Now, 984 discs later the Odyssey continues to roll, but our journey
with Judas Priest is (at least for now) officially at an end.
Disc 984 is…Ram It Down
Artist: Judas
Priest
Year of Release: 1988
What’s up with the Cover? This is one of my favourite
album covers so far. A vengeful god rams it down on an unfortunate planet.
Don’t worry, though, the planet being bashed is not earth – there’s too much
orange.
How I Came To Know It: I knew this album briefly as a
kid, but in 1988 I was already transitioning from metal to folk, and I didn’t
pay it much attention. I only bought it about five years ago when I was
fleshing out my Judas Priest collection.
How It Stacks Up: I have twelve Judas Priest albums. Of those
twelve, it is at the top…of the bottom half, so seventh. Since I’ve now
reviewed all my Judas Priest albums, here’s the full recap:
- British
Steel: 5 stars (reviewed
at Disc 272)
- Defenders
of the Faith: 5 stars
(reviewed at Disc 35)
- Killing
Machine: 4 stars (reviewed at
Disc 261)
- Screaming
for Vengeance: 4 stars
(reviewed at Disc 1)
- Rocka
Rolla: 4 stars (reviewed at Disc
41)
- Sad
Wings of Destiny: 3 stars
(reviewed at Disc 461)
- Ram
It Down: 3 stars (reviewed
right here)
- Turbo: 3 stars (reviewed at Disc 471)
- Stained
Class: 3 stars (reviewed at
Disc 195)
- Sin
After Sin: 3 stars (reviewed
at Disc 319)
- Point
of Entry: 2 stars (reviewed at
Disc 424)
- Nostradamus: 2 stars (reviewed at Disc 594)
Ratings: 3 stars
After
the synthesizer-fueled fun of 1986’s “Turbo,” Judas Priest seemed determined to
re-establish their heavy metal cred on “Ram It Down.” From the pounding blue
fist on the cover through the blistering guitar riffs that seem to suffuse and
dominate every song, “Ram It Down” is an album that follows its own advice.
The
songs on the album feature everything you’ve come to know and love about 1980s
Judas Priest: visceral energy and anthems that encourage you to raise your fist
and cheer on the metal revolution. In short, it is good, honest, semi-clean
fun.
That
this album doesn’t achieve the same level of greatness as classics like “British
Steel” or “Defenders of the Faith” is not a slight, so much as a recognition of
how great those records are.
The
record opens with the title track and quickly signals that Priest is ready to
pound out some heavy metal. The song boasts “Thousands of cars and a million guitars/Screaming with power in the air”
and sets a clear tone; everything on this album will be big, bold and loud. Rob
Halford isn’t called on to do anything spectacular, but he sings with his usual
power; one of the few voices that can hold its own against not one - but two -
lead guitars.
The
album’s style heavily recalls “Defenders of the Faith” with many of the songs having
similar pounding beats and the same solid mix of speed riffs and rising
anthems. The songs aren’t consistently as good, nor are the melodies as
interesting, but they’re solid.
The best
anthem on the record is “I’m a Rocker”
which is an unabashed celebration of the band’s years on the road. No
subterfuge here; they are rockers and they have spent their lives…rocking. It’s
a song that proves you don’t have to overthink what makes a good song. Just
rock out, and tell the world about it.
At the
other end of the spectrum is the almost eight minute epic “Blood Red Skies.” The song has a slow build, starting with a power
ballad that grows into a rising crescendo of rock and a chorus that is gloriously
triumphant. This song made me think about what it must feel like to be a gladiator,
standing victorious in the Roman Colosseum, soaking in the adulation of the
fans. No, the song isn’t about that but it evokes that feeling. Also, I just
watched a bunch of documentaries on ancient Rome, so give me a break.
“Ram It
Down” also features a cover of “Johnny B.
Goode”. This song has been done by so many artists over the decades, but my
favourite has always been this one. It is powerful and ballsy, infusing eighties
metal power chords into a song that is tough enough to take it and then some. It
is a worthy tribute to Chuck Berry in the week of his death. Rest in peace, Mr.
Berry, and thanks again for rock and roll. We still like it.
This
particular edition of the CD has two live bonus tracks tagged onto the end that
I could live without. Both “Night Comes
Down” (from Defenders of the Faith) and “Bloodstone” (from Screaming for Vengeance) are good songs, but I’ve
got them on their original albums already. Tagged on the end here they are awkward
and make the record feel a bit too long.
Despite
this and the fact that there are better albums in the Judas Priest discography,
“Ram It Down” is a solid entry in the band’s career. There are no bad songs and
plenty that are genuine head thrashers. It is well worth adding to your
collection if you’re looking to expand your Judas Priest collection.
Best
tracks: Ram It
Down, Blood Red Skies, I’m a Rocker, Johhny B. Goode
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