Monday, November 17, 2014

CD Odyssey Disc 679: Iron Maiden

I keep rollin’ random albums and the Odyssey keeps rollin’ on. Here’s the latest.

Disc 679 is…. Killers
Artist: Iron Maiden

Year of Release: 1981

What’s up with the Cover? Iron Maiden’s long-time mascot, Eddie. Here we see Eddie early into his career of mayhem. He was very hands-on back then, although the hands on in this case are those of Eddie’s victim, clutching at his t-shirt. Never mess with a metal-head’s tight white t-shirt. No wonder Eddie felt it necessary to hack him bloody with his hatchet.

How I Came To Know It: I have only vague recollections of this album as a kid, since I was pretty young when it came out (eleven). I discovered it after I had become a devoted Iron Maiden fan through their later records.

How It Stacks Up:  I have seven Iron Maiden albums, and I like all of them. I’ll put this one 4th or 5th out of 7, simply because there is so much awesome to choose from.

Rating: 4 stars

Bruce Dickinson is one of rock and roll’s great vocalists, but as “Killers” demonstrates, Iron Maiden was a pretty kick ass band before he even joined them.

Maiden’s first two albums were made with vocalist Paul Di’Anno, and as much as I love Bruce Dickinson, Di’Anno is not a huge step down. His vocals don’t have the same awesome power at the top range, but he comes close and on songs like “Wrathchild” he delivers a raw roar that has its own qualities that Dickinson can’t produce.

That isn’t to say this version of Maiden is that different than the next. The soaring melodies and power riffs that would define them a year later on Dickinson’s debut, “Number of the Beast” are already taking shape here, particularly on the title track, which has the same hectic pace and classical underpinnings. Di’Anno brings a hint of punk to the equation, but with plenty enough power to remain solidly as one of the founders of the new wave of British heavy metal.

If anything, “Killers” demonstrates how bassist Steve Harris is the core of the band. Harris writes the vast majority of the songs, and the rest of the boys are there to play along – fortunately with a lot of skill. Harris is the architect of the Maiden sound, delivering anthemic melodies, grounded in intricate bass licks that always lurk in the background.

In fact, you can enjoy “Killers” equally well listening to the vocals and guitar riffs, or letting your ear drop down and just grooving on Harris’ masterful bass playing. Because this album is a bit sparser than many that would come later, the bass stands out even more.

Subject-wise, the band is already grooving on all those great characters from history and literature that thoughtful teenage boys dig. We’ve got the monstrous horror of Edgar Allan Poe’s “Murders in the Rue Morgue.” Here the story is reimagined from the perspective of someone who is innocent but caught at the scene of the crime with blood on their hands, and forced to flee. It is a thoughtful twist on the original story.

The historical offering is the instrumental “Genghis Khan” which seems a worthy topic of any heavy metal band. I’ll just say Iron Maiden does him justice. As the album progresses the band works in songs about the souls of the damned, tormented ghosts and the murderers that sent them to their graves. It is ghastly good fun all around.

The album ends with “Drifter,” a song that expertly mixes all the elements heard on the album so far. Harris has a ridiculously fast and amazing bass section, lead guitar Adrian Smith is given a chance to tease some seventies blues-rock out of his guitar and Di’Anno adds a punky edge to the whole thing that at times has him sounding like a young, angry Paul Stanley. The song moves in and out of different tempos as well, presumably because to do anything less would be to bore the genius that is Steve Harris.

“Killers” is a great record that is too often lost in the shadow of “Number of the Beast” and the coming of Bruce Dickinson. For all that, it has rightfully earned a place as one of Maiden’s classic albums, bloody hatchet and all.


Best tracks (with artists): Wrathchild, Murders in the Rue Morgue, Another Life, Genghis Khan, Drifter

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